Back in 2002 when I originally wrote the young adult adventure novel,
The Horns of Cassaforte, long before it was ever bought by the nice people at Flux and retitled
The Glass Maker’s Daughter, I’d originally envisioned the book as the first in a series. I had a clear vision of the next two books, too.
The Pirates of Cassaforte would follow, and start with sea battle, a shipwreck, and a rather genteel boy making an uneasy alliance with a nearly-feral girl against pirates targeting the city-state of Cassaforte. The third book,
Pilgrims of Cassaforte, was to be all about the younger brother of Risa Divetri, heroine of
The Glass Maker's Daughter: a school pilgrimage to a shrine in the countryside, and a political kidnapping.
And at the time, I had to make a decision—was I going to write sequels for a book that I hadn’t sold, or was I going to move on to something else? I was unpublished in 2002, and it seemed to make more sense to move on to a different project that might sell, so I started a novel called
Kin (which I never finished, since I sold the idea to
You Are So Cursed! while I was writing it.
Kin did get reworked and overhauled and completely transformed into the world of
Bedlam, Bath, & Beyond, however, so no creative idea is really ever wasted).
Last month, however, my nice editor at Flux asked my agent if I might please provide him with some proposals for two sequels to
The Glass Maker’s Daughter. Did I have anything in mind? Boy! Did I!
I’ve spent the last three weeks writing up synopses of the two sequels I originally wanted to write, way back when. And let me tell you, having to sketch out the plot of a book before I put a single world to paper is an ass-backwards way to write.
( Thoughts on plotting. )